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Ceramics and Pottery News
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Riding a surge of interest in folk arts in the 1960s and 1970s, Ms. Sweezy revived Jugtown, the famous pottery started by Juliana Royster Busbee.
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Tiles designed by the artist Romare Bearden are being restored in a subway line in Pittsburgh.
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A New Jersey State Museum survey of Toshiko Takaezu’s ceramics shows how the focus of her work evolved beyond everyday items.
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A little-known people existing before ancient Egypt and Greece’s glory worked with metal and had an evolved visual language.
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An exhibition spanning 50 years of art pottery at the Newark Museum underlines the notion of ceramics as high art.
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| Even though they may be unfamiliar with the finer nuances of the art they are chasing, new bidders turned recent sales of Chinese art and ceramics into unmitigated triumphs.
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A Bonhams sale of English pottery and porcelain demonstrated this week that ceramics is one of the few areas of the art market still immune from financial speculation.
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It is hard to remain disgruntled in a Jonathan Adler environment. Item No. 1 of his manifesto, printed right on the wall, is, “We believe that your home should make you happy.”
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Mr. Heino, a driven craftsman who was said to produce up to 10,000 pieces a year, was known as a purist in his work with clay.
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The British Museum has acquired the Percival David collection of Chinese ceramic vessels, one of the most dazzling displays of Chinese porcelain anywhere.
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Frances Palmer, a potter whose one-of-a-kind pottery is sold at stores like Bergdorf Goodman, shopped for pitchers worthy of great summer drinks.
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KleinReid’s new “8.5” collection was inspired by the Fellini film “8 1/2” and each piece was named for a different character.
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| The losses at a museum dedicated to the artist Henry Varnum Poor have become a matter of contention between Poor’s son and the museum’s backers.
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| When Russel Wright’s American Modern dinnerware first appeared in 1939, it brought unfussy elegance straight to the table. Each piece, designed with the eye and hand in mind, presented a wonderfully refined silhouette a creamer as stout as a Disney dwarf, a water pitcher as sleek as a heron in flight. Manufactured until 1959 by Steubenville Pottery in Ohio, American Modern became one of the best-selling tableware lines in history. After a lackluster attempt by Oneida to bring American Modern t...
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“Dirt on Delight” at the Institute of Contemporary Art at the University of Pennsylvania argues for ceramics as a more than worthy subject.
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