About my art concept, my sculptures must seem more natural as possible: the artistic works must be like a a natural object , shells , stones,a big grain of rice, the leaves, the bones. The artistic intervention must seems a secondary part respect to a work that must live for own tension.

The glazes used for these sculptures are all glazes fired in an oxidizing atmosphere in an electric kiln oven at 1200 degrees.

All my sculptures are created hand built rolling the clay in long strands and building up the form. It is an extremely slow procedure which however permits the creation of even large dimension forms consisting in starting from a base from which small pieces are slowing added and modelled according to the desired form. Given the plasticity of the material, the work must often be suspended in order to wait for the ground to consolidate.

Once the form is complete and the surface is ? leathery hard? one intervenes with small pointed instruments, lamé and steel needles to create the engraved reticulated and corroded effect which is a dominant characteristic of the works exhibited.